Actually, to make up for having waited so long to post again, I'm including two scenes, both from the POV of protagonist Stephen Millory. But first, you may wish to reread Stephen's character sketch.
And now, here's the first excerpt. Stephen arrives at the tailor shop he'll be using until Cowbird Creek's tailor comes back to town.
-----
In the middle of the room, the light from the window falling golden upon it, was a sewing machine. A sewing machine, shiny black, metal parts glistening, with an open-work metal plate almost spanning its width suspended between the metal legs, and a maroon padded bench behind it. Stephen had never seen one, only the pictures in the catalogue. He and Mary had talked about what it would take to acquire one, but it had always been out of reach. How excited she’d be when he went home and told her! —
The bolt of memory struck and staggered him, as it always did. He could not seem to keep in mind that he now lived in a world without her. No, his mind insisted on inhabiting the world where he belonged, the world when he could go home and see her, hear her, hold her, tell her all the unimportant things no one else would want to hear.
He fought to keep breathing. One of these days, the stroke would be too powerful, and he would stop. But until then, he had to keep living in this poorer, drab world in which he was left behind.
At least, for now, it contained a sewing machine.
-----
The next excerpt comes a little later, after Stephen has moved into Rebecca Wheeler's boarding house. He's the only male boarder, and most of the other boarders are middle-aged or older. Supper is over, and Stephen has gone to his room to settle in.
-----
It took him a while to notice that something distracting was happening. Was someone knocking on the door to his room? No, not knocking, but there were sounds coming from the hallway, footsteps that came closer and paused and left again, followed by others doing the same; and voices, almost as quiet as whispers, then louder, then followed by urgent hushing sounds and the almost-whispers again.
He could easily guess what was going on. At supper, the boarders had peppered him with all the questions he had feared, but Miss Wheeler had managed to politely interrupt almost every time, deftly changing the subject to less painful ones, asking him about the tailor shop and what he hoped to do during his visit. A couple of the bolder ladies had offered to show him this or that highlight of Cowbird Creek, offers he had (he hoped) politely deflected. All those unanswered questions and invitations must now have followed him upstairs, the ladies finding or making excuses to traipse up and down the hall, collecting in little clusters to gossip and exclaim and compare notes.
What would they do if he suddenly flung open the door and shouted “Boo!”? Picturing their startled expressions and flustered gestures made him actually laugh. The noises outside the door fell silent, and then started up again, more fast-paced than ever.
Another notion took him, less outrageous than the first, and practical to boot. He stripped down to undershirt and drawers, put on his dressing gown, picked up the towel Miss Wheeler had left in the room, and opened the door. “Oh, excuse me!” he exclaimed, pretending to be surprised at the ladies who gasped and gaped and flattened themselves against the hallway. “I was heading down to the washroom. I hope I haven’t interrupted anything.” They scattered and tittered and clucked as he made his way down the hall. When he reached the washroom, he closed the door and leaned against it, as he had done at the tailor shop, but this time he smiled as he got ready for bed.
-----
If you want to make sure you don't have to wait longer than necessary for the actual book, you can (as of today) preorder it! Here are the links for Amazon (currently ebook only, but the paperback should pop up soon); for Bookshop.org (paperback only); and for Barnes & Noble (ditto). Any of them should send you the book on October 15, 2026.
Next time, I'll give you a scene or two from Rebecca's point of view.
No comments:
Post a Comment